Wednesday, July 28, 2010
Whenever any trend comes to the college campus, it spreads like a fire in the woods. Companies launch their new handsets in the market almost every month and almost everybody wants to be up to date in this case. Mobile phone is not just a mere need now for youngsters. It became an accessory for them now which needs to be changed in time to time according to new trends. When asked about this to Bhakti Khare , an 2nd year engineering student of CEOP college, she said that , “ In my friend circle if someone buys new cell phone , then others think that I too must get latest hi-tech handset better than my friend’s handset. Every month new handsets are getting launched and because of this the cell phone which we had got last month is considered to be literally outdated this month.” After getting new handset, these youngsters discuss over the “strives” they have done to get the mobile phone proudly.
“Gone were those days when people used to discuss about their new clothes and accessories. Now we discuss about latest handsets and new soft wares which must be with you in today’s date. If you don’t have Samsung’s Corby series or Nokia’a N-97 or Apple’s Iphone then you are considered as out of date”, says Kaustubh Deshpande , student of Symbiosis college. Today you have to be advanced not only in using latest cell phones but the latest soft ware technologies also. 3G technology, touch screen, games, video calling, WAP and Web service are the few examples.
Vaishnavi Sharma, an IT professional says that, “you have to have phone which has a good sound quality and internet surfing facility. Today nobody of our age uses disc man or sound system to listen to music. It’s easy for us to carry the phone which is enabled with all the latest technologies like facebook messenger and net surfing. We cannot carry our laptops with us always to surf the net.”
From colour of the phone, its keys to touch screen, 16 GB memory, 12 megapix camera, 3G facility, today’s tech savvy generation wants everything in their handsets. And by hook or by crook they get themselves updated.
"Jai Jai Ram Krishna Hari, jai jai Ram Krishna Hari..." , with the echoing sounds of the 'taal,' 'pakhawaj' and the 'veena,' and warkaris (pilgrims) singing and dancing to 'abhangs', the palkhi procession of Sant Tukaram arrived here on Monday. The Palkhi was welcomed by over 1.5 lakh of warkaris and devotees who were gathered to Pune from different parts of the state and country also.
It was raining but it could not hamper the spirits of warkaris . Enjoying the “shower from the lord” devotees were leading over with 250 dindis in a colourful but disciplined march. Every dindi was singing different “abhangas” and “ovis” of “Sant parampara” of Maharashtra but no dindi was getting disturbed by other dindi’s chanting.
Those waiting eagerly for a 'darshan' of the richly decorated 'palkhi, also distributed eatables to 'warkaris'. Some of them even joined the 'wari'. "I also want to go to wari. But I don’t have that much stamina to go further. I wonder how these old and young warkaris get stamina to complete the wari. But few steps walking with them was also a fulfilling experience." said 45 years old Parvatibai Shinde , who, along with a bunch of her relatives welcomed the 'wari' on FC Road.
While on the one hand the city welcomed the Sant Dnyaneshwar Palkhi on Tuesday, the road diversions and huge crowd also led to major traffic jams on Ganeshkhind Road, Senapati Bapat Road, Khadki Road and Shivajinagar area. The traffic congestions started taking place in the evening. In order to clear the way for the palkhi and Warkaris, the traffic police had made diversions from the road in Khadki.
While the one side of the old Pune-Mumbai highway that goes towards Khadki, was kept on, the other side that leads towards the College of Engineering Pune (COEP), had been closed for the people for transportation. As a result of this, the vehicles had to take a turn towards the Range Hills area. This made the vehicles crowd the Range Hills area and soon, there was traffic congestion on the road. But when the vehicles reached the E-Square corner, the road toward Shivajinagar had been kept closed. Hence, the vehicles again had to take a turn towards Chatuhshringi temple and take Senapati Bapat Road to go to the central part of the city.
While the Sant Tukaram Palkhi arrived in the city on Monday, coinciding with the day of the Bharat Bandh, the Sant Dnyaneshwar Palkhi arrived in the city on Tuesday at 4.30 pm to a grand welcome by citizens. Like every year, tens of thousands of Warkaris accompanied the Palkhi for a brief stopover in the city before heading to Pandharpur, the dwelling of Lord Vitthala. The Warkaris, old and young, from rural parts of Maharashtra, accompany the Palkhis of Sant Tukaram and Sant Dnyaneshwar that set out on their respective journeys from the temple towns of Dehu and Alandi. This annual pilgrimage will conclude when it reaches Pandharpur on the day of Ashadhi Ekadashi.
The Pune city and rural police made intensive security arrangements in the city to avoid any untoward incident during the religious Palkhi procession.
Producer: Jake Eberts
Screenplay: Mark Medoff;
Camera: Peter Biziou;
Editor: Gerry Hambling;
Music: Ennio Morricone;;
Art Director: Roy Walker
The Movie City of joy is inspired Dominique Lapierre's 1985 international bestseller, City of Joy. Fleeing from the rigors of life as a surgeon in Houston, Patrick Swayze's Dr Max Lowe arrives in Calcutta with the blurred idea of seeking enlightenment. First night in Calcutta Max gets Assaulted and robbed and then he is taken to the City of Joy Self-Help School and Dispensary, presided over by a struggling but selflessly saintly British woman Joan (Pauline Collins). When Joan tells Max the name of the place, he asks, "Is that geographical or spiritual?" Says Joan, "It depends on your point of view."Max becomes cheerleader for the dispossessed people of City of Joy in their battle against the local mafia.
The movie begins with the sequence an Indian farmer, Hasari Pal (Om Puri), his wife and children leave their poverty-stricken village and head for Calcutta to find work. "Remember," says Hasari's father, "A man's journey to the end of his obligations is a very long road." In another sequence set in a Houston hospital's operating room. When Max's patient, a little girl, dies during a transplant operation, the distraught surgeon floats blindly from the hospital, apparently to book the first flight to India. But then these two men from very contradictory lifestyles and thoughts meet on the slum streets of Calcutta when Max gets robbed and assaulted. Hasari who finds Max on the street and takes him to Joan's clinic, initiating a friendship between a man who has nothing but love and faith and a man who has everything except a reason to live. Standing by is the wise-cracking, saintly Joan, who sometimes talks like a friend philosopher and guide-- "There are three choices in life: to run, to speculate, and to commit."
Adapted by Mark Medoff from Dominique Lapierre's novel, "City of Joy" is fraud from start to finish, though in fact it was shot mostly in Calcutta and employs a lot of Indian actors and extras. The setting is not the problem. It's the point of view, which is that of a concerned but hopelessly inept, sunny-natured tourist.
With his passport and money gone and with nothing better to do for the time being, Max grudgingly begins to work with Joan at her City of Joy Self-Help Dispensary. He delivers the healthy baby of a grateful leper mother. He sets about to put the dispensary in order and, when he sees the people in the City of Joy being exploited by the local "godfather," he organizes their resistance.
His inspiration is Hasari, a man of incredible spirit who works, daybreak to dusk, as a rickshaw man. It's not easy for Max to adjust. He misses his hamburgers. He asks to roadside hawkers about hamburgers. He's also impatient with the passivity of the people, who lack that good old-fashioned American get-up-and-go. Yet little by little, Max re-establishes his commitment to life, even as he witnesses terrible injustices and cruelties.
There is an attack on the local lepers orchestrated by the greedy godfather. The face of a pretty young girl (the daughter of Hasari) is cut with a razor. A great monsoon flood threatens to destroy the City of Joy and everyone in it. A decent man who appears to be in the terminal stages of tuberculosis receives severe stab wounds in the stomach and is on the point of death. This would be a vision of hell in any other movie, though not in "City of Joy." The godfather is told to stop and give up by the courts. The wounded young girl heals without scars. Nobody is lost to the flood and, when last seen, the tubercular man with the blood running out of his stomach is still walking upright.
Though the movie is based on the novel, all the aspects of the novel are not covered in the movie. It is impressively produced in Calcutta's teeming poverty-ridden streets and slums, Roland Joffe's noble attempt to portray the tenacity and strength of the human spirit comes off as curiously ineffectual due to predictable sequences and character growth. It can be inspirational for some people but at times the movie appears to be exaggerated. There is lot of violence shown in the movie so for some people it cannot be tolerable. Also there is lot of raw and vulgar words are used in dialogues plus the abusive language can be intolerable for some people including me.
City of Joy," which has been rated PG-13 (Parents strongly cautioned) includes some violence and vulgar language. City of Joy Directed by Roland Joffe; screenplay by Mark Medoff, based on the book by Dominique Lapierre; director of photography, Peter Biziou; edited by Gerry Hambling; music by Ennio Morricone; production designer, Roy Walker; produced by Jake Eberts and Mr. Joffe; released by Tri-Star Pictures. Running time: 134 minutes. This film is rated PG-13. Max Lowe . . . Patrick Swayze Hasari Pal . . . Om Puri Joan Bethel . . . Pauline Collins Kamla Pal . . . Shabana Azmi Amrita Pal . . . Ayesha Dharker Shambu Pal . . . Santu Chowdhury Manooj Pal . . . Imran Badsah Khan Ashoka . . . Art Malik Anouar . . . Nabil Shaban Ram Chander . . . Debtosh Ghosh.
So we can say that although it’s a good movie but for me I will not prefer to see the harsh realities of life in such a violent way.
WEDNESDAY JULY 7, PUNE
A day-long general strike disrupted normal business activities across India, affecting key sectors of the economy and causing losses anywhere between a conservative Rs.3, 000 crore (USD666 million) and a humongous Rs.13, 000 crore (USD2.8 billion) to the country.
While Mumbai, the financial capital of the country, and several industrialised states including Maharashtra, Gujarat, were affected, the impact was partial in many other states like Tamil Nadu and in the national capital Delhi.
The 12-hour strike was called by the Opposition parties to protest the fuel price hike and rising inflation. The dawn to dusk all-India strike, the first such challenge for Prime Minister Manmohan Singh's government, called separately by the Left and the Bharatiya Janata Party (BJP) cost about Rs.10,000 crore, said the Associated Chambers of Commerce and Industry (Assocham). Satisfied by the strike's success, both the Left and BJP-led National Democratic Alliance (NDA) vowed that this was not the end .The bandh is estimated to have cost the nation close to Rs 13,000 crore in terms of GDP loss," industry chamber Ficci said in a statement. Another industry body Assocham put the losses at Rs 10,000 crore, while CII pegged it at Rs 3,000 crore.
The bandh on Monday evoked a mixed reaction from the common citizens. Many did not favour the bandh but some were more accepting. “Whoever had called for a bandh,it was really a very bad idea because it caused India 10000 crore loss. Even if anyone was on Manmohan Singh’s place he would have increased petrol, LPG rates as oil is not produced in our backyard. We have to import it. Opposition parties had chance to oppose it in parliament, though there workers forced common people to follow bandh. They shouldn’t have damaged public property which belongs to us (common man) instead they should have burn the cars and bungalows’ politicians have built with our money.” , says IT professional Suyog Chaudhari.
But, a house Sharda Raghunathan says , “ Manmohan Singh is the worst PM ever. The labourer who gets rs.100 for 8 hours can`t even think of basic necessities. PM is only concerned about Sonia, Rahul and America. So this bandh was necessary.”
Incidents of stone-pelting on buses and trains were reported from the city. Schools, colleges and business establishments remained closed as groups of protestors hit streets trying to enforce the 12-hour bandh. Many buses were broken. But no injury is reported. Many citizens hoped the bandh would bring a reduction in prices. “The price of crude oil is around $76 per barrel. 1 barrel = 42 gallon, 1 gallon = 3.89L. Thus, 1 barrel = 42 x 3.89 = 163.38 Litres. $1 = 46RS (76 x 46 = Rs 3496). Thus, the actual cost of crude is around Rs. 21.50/ litres. Add 35% to that actual cost to add for the refining, transporting to petrol pump, taxes, etc. Thus: Rs. 7.50. So the total comes to be 21.50 7.50 = Rs. 29.00/ liter. Every common man who is paying a fortune of money for transportation must be aware of this fact. This Bandh should act as eye opener for the Government,” says economics student Amit Srivastava. As many as 109 buses of the Pune Mahanagar Parivahan Mahamandal Ltd (PMPML) were damaged during the Bharat Bandh on Monday. The repair of these buses cost a whopping Rs 15 lakh and nearly 85 buses are back on roads after repairs in two days.